STINGER DESK

See how Stinger Desk opens a shirt instead of a blank artboard.

Vector design software for shirt, vinyl and card shops — a new hire picks the job instead of a blank artboard, and the board comes back already sized to the machine that prints it. It is built, it runs, and it is not for sale yet. This page is a showing, not an offer.

Pick the job. The board is already sized to the machine.

Stinger Desk open on a DTF left chest board — the Stinger disc mark centred on a 3000x3000 canvas at 23% zoom with rulers and bleed on, the vector tool rail down the left, and the Press panel on the right listing job presets: Shirt (DTF) on the InkSonic R1390, Mark (logo), Garment (DTG), Vinyl cut, Cameo cut, Shop card, Flyer, Yard sign and two laser profiles, with the Mark field filled in as Harbor Pools and a PDF downloaded confirmation

Not for sale yet. The screen says so, not just this page.

Desk's own billing page, headed Private Preview and 'Desk is not for sale yet' — three plans side by side, Shop marked Included, Crew and House both marked Not Open, and all three checkout buttons reading 'Preview only' and disabled, with 'Ask about early access (no pay)' as the only action

Desk is a working product with a billing page that refuses to take money. The plans are drawn — Shop, Crew, House — and two of the three read Not open. Every checkout button on that page is disabled, and its own headline is "Pay is built. Checkout is dead." If you sign in, the only thing you can do is hold a seat, and the app tells you plainly: no charge, no card.

No price on this page because there isn't one

There's no tier to compare, no trial to start, no card to enter. Showing you a number we can't yet charge would be the dishonest version of this page.

The register is closed, and it says the word

Desk's own home screen reads "Billing exists and checkout is off." That line is in the product, not in the marketing. We're not going to pretend it says something else out here.

So the ask is a conversation

If your shop runs film, vinyl, or a laser and this looks like your bench, call Vincent. Right now that's a walkthrough and a real conversation about what your machines actually do — not a signup.

The pro suite is a toolbox. The feed tool doesn't know what film is.

Illustrator can draw anything — if you remember how

It is genuinely deeper than Desk at vector work, and we say so on our own scorecard. The problem isn't capability; it's that the shop has to know which forty panels to open before the first shirt goes out.

Canva is built for a feed, not for film

It lays out a post beautifully. It has no idea what a white underbase is, what a choke is, or that the 1390's printable width stops at 11.8 inches.

Cutter and laser apps talk to one machine

Silhouette Studio and xTool's XCS own their cable and do it well. Neither one is the art desk for the DTF printer sitting next to them.

The RIP needs a file before it can do anything

A RIP is a raster engine that fires the print head. It is not where art gets made. Desk hands it a clean pack; the RIP still owns the cable.

You pick the job. The board comes with it.

Ten jobs on the front: shirt on DTF, garment on DTG, vinyl cut, Cameo cut, shop card, flyer, yard sign, laser on the P2, laser on the S1, and a logo mark. Each one arrives already bound to a board and a machine — the shirt job opens a left-chest board sized for an InkSonic R1390, not an untitled rectangle you have to measure yourself.

38 tuned boards, not a template mill

Garment, vinyl, laser, cards, promo, marks, pool, shop. A small rack somebody actually set up, grouped by what you're making — not ten thousand stock layouts to scroll past.

The board knows its machine

Boards carry the device with them, so "full front" means 12 inches on a bed that prints 11.8 — and the desk tells you that before the film does.

Real vector tools underneath

Bezier handles you can pull, weld and boolean, outline, type on a path, groups and layers. Enough to build a shop mark. Not a thirty-year plugin ecosystem, and we don't claim it is.

1,724 open faces on the rack

Google Fonts under OFL, Apache and UFL, loaded when you pick one rather than all at once. Desk will match a face from a photo. It will not manufacture a copy of a paid font — nobody honest does that.

Peel, choke, weed, nest, trace — the work that happens after the art is done.

This is the part a feed tool never has and the part a new hire never learns fast. It is in Desk as real operations on the board, not as an export preset.

Peel — separate a still into color plates

Quantizes an image down to as many as six inks, despeckles it, and lays each ink out as its own plate — a mark of another color inside the art stays on its own plate instead of bleeding into the one behind it.

Choke — the white underbase, pulled back

An erode on the alpha channel shrinks the white plate so the color prints over it instead of leaving a white halo at the edge. The R1390 profile carries its own choke value.

Keep sharp — trace a raster to a path

Marching squares turns a still into a real path so scaling it up gives you a clean edge rather than stairsteps. Press check flags art that's been scaled past its native pixels and offers this as the fix.

Gang — nest to save film

Skyline packing with leftover shelves fits the pieces onto the sheet tighter than a uniform grid. It is not a production RIP's nesting engine; it's an honest saving on film and vinyl.

Weed and cut lines

Contour and print-cut paths, red hairline cut color, score and engrave layers, registration marks in the corners, mirror for film.

CMYK, an ink guess, and a barcode

Hex converts to a CMYK estimate. Ink is estimated from measured coverage times a per-square-inch rate by machine kind, and the note says "shop guess" out loud. Code 128B barcodes for a phone, an invoice or a SKU.

21 machine profiles, a press check that stops the job, and cards for the settings.

The machines shops actually own

InkSonic R1390 and L1800, Prestige R2, Epson SureColor F1070 / F2270 / F2100 / F570, Brother GTX300 and GTXpro, Graphtec CE7000 and FC9000, Roland GS-24 and BN-20, Silhouette Cameo 5, USCutter MH, GCC Expert 24, and xTool P2, S1, M1 and F1.

Press check runs before you send

Board wider than the bed is a stop, not a warning. Taller than the bed says gang or split. A still scaled past its pixels, or a JPEG on a machine that needs transparency, gets caught with the fix attached.

Recipe cards, not drivers

Pine 3 mm cut, acrylic, slate engrave, DTF at 1440×720, Oracal 651. Each card says what to set and where — you still set it in XCS or the RIP. Desk does not pretend to be the driver.

A fault book for when the head misbehaves

White dropping out, banding, a clogged channel — what you're seeing, why it happens, the steps in order, and a stop line telling you when to quit cleaning before you cook the head.

She drives the controls. You keep the last word.

Say peel, keep sharp, mirror, gang, weed, contour, add reg marks, run press check, send to the 1390 — the same vocabulary as the buttons, because it runs the same operations the buttons run. Plain phrasings are matched locally before anything reaches a model, so the common asks cost nothing and answer instantly.

Two cockpits, one board

Nothing is voice-only and nothing is click-only. Anything she can do, you can do by hand, and the board is the same board either way.

She never runs on her own

Annabelle doesn't fire on page load or while you type. Layout, copy and generated stills happen when you ask for them, and the shop budget can pause her in one click.

Capped by design

Twenty layout and copy calls and eight generated stills per browser per day. The studio brief is a stable prompt prefix so it caches instead of being re-billed on every ask.

A link. Pins on the art. Approve, or send changes.

No account for the customer

A proof is a token link. Your customer opens it, sees the board, and clicks — nothing to install, no login to create, no seat to buy for someone who just needs to say yes.

Pins land on the art, not in an email thread

Click the spot, type "move left a quarter inch." The note is attached to a coordinate on the board instead of being described in a paragraph you have to decode.

Approved or changes — a state, not a vibe

The proof carries a status. It is pending, approved, or changes-requested, with the note that came with it.

Desk, tablet, phone — and the same usage meter Command Center already reads.

Install it as its own window

On the shop computer it opens from the desktop with no browser tab around it. On a tablet the rail moves to the bottom with handles big enough for a truck seat. On a phone it goes on the home screen.

Same meter, same spec

Every model call Desk makes is a stinger.usage.v1 event with product design, posted to the same /api/v1/usage ingest Command Center already knows. One ledger, not a second bill to reconcile.

Built not to eat the machine

Hard caps on documents, nodes per board, undo depth, image size and export pixels, plus a heap watcher. A shop computer running the desk should not fall over because someone pasted a 40-megapixel photo.

Stands alone, better in the house

You do not need the rest of Stinger to use Desk. If you do run Command Center and Galley, invoices come in and proposals go out of the same job.

The limits, before you find them yourself.

No ICC, no soft proof, no PDF/X

Color is a shop kit plus a CMYK estimate. That is not a contract proof and we will not call it one. If your work needs a color-managed proof, Illustrator or Corel plus your RIP is still the right answer.

It does not own the USB cable

A browser cannot replace the RIP's USB connection to the print head, so Desk doesn't try. Send drops a job pack into a hot folder the RIP watches. Bluetooth is a device probe, not a print path — Desk does not print over Bluetooth.

Shallower than the pro suite, on purpose

No plugin host, no live corners, no prepress feature set. Illustrator wins vector depth and Corel knows a print shop better. Desk is built for DTF film and a new hire, not for a prepress veteran.

Estimates labeled as estimates

The ink number is a coverage guess, not a RIP ink meter. The nest is a packer, not a production nesting engine. Barcodes are Code 128B, not a GS1 certification. Comparison scores are our own shop rubric, not a lab benchmark.

Google sign-in is optional

Boards live in your browser. Signing in is for holding a seat and for the handshake with Command Center — it is not a wall in front of the desk.

And it still isn't for sale

Everything above is running. None of it is purchasable today. When the register opens, this page will say a price instead of saying this.

A walkthrough, not a checkout.

Desk is on the bench and we'd rather show it to a shop that runs a 1390, a cutter, or a laser than describe it. Tell us what machines you have and what a normal Tuesday looks like, and we'll walk the desk against your actual work.

Part of the same ecosystem, on its own schedule.

Desk stands alone and doesn't need the rest of Stinger to be walked through. When a shop also runs Command Center, Desk reads and writes usage on the same ledger — and it shares its AI-run controls with the rest of Stinger's AI-tooling lineup.

Adobe, Illustrator, Canva, CorelDRAW, Silhouette, and xTool are trademarks of their owners. Comparisons here are capability comparisons, not claims of affiliation.